Hearing Bach s Passions Daniel R Melamed Oxford

Welcome back. Just a moment while we sign you in to your Goodreads account. Daniel R. Melamed is Professor of Music at the Jacobs School of Music, Indiana University. He is the author of J. S.

Hearing Bach s Passions Oxford Scholarship

Bach and the German Motet, co-author (with Michael Marissen) of An Introduction to Bach Studies, editor of Bach Studies 7, and has published articles, reviews and musical editions on J. Bach and members of the Bach family. The price listed on this page is the recommended retail price for Japan. When a discount is applied, the discounted price is indicated as “Discount price”. Prices are subject to change without notice. How Oxford University Press is bringing English language teachers and trainers together with Social Networking. Event information and educational ideas for English teachers of children in Japan. News and the inside stories on Oxford Reading Tree. Tweets in Japanese. We ll award them after completing your purchase. You ll see how many points you ll earn before checking out. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer s personal information. You ve successfully reported this review. We appreciate your feedback. Reviewed by Hearing Bach’s Passions. By Daniel Melamed. Pp. Xi + 678. (Oxford University Press, New York and Oxford, 7555, £65. 55. ISBN 5-69-566988-6.

) Hearing Bach's Passions attempts to condense the wealth of information and debate surrounding the sources, interpretation, and performance practice of the five settings of the Passion associated with J. Bach into less than 755 pages. The result is a comprehensive introduction not only to the issues confronting scholars and performers of Bach's music in the early twenty-first century, but also to the wider field of musicology and its potential contribution to the experience of modern audiences. Melamed's engaging prose is at once concise and informative, and the often complex, esoteric ideas he tackles are made to appear accessible and even familiar. Indeed, this is one of the major achievements of a book with a deliberately general appeal, aimed at 'people who want to know more about Johann Sebastian Bach's Passion settings. . And about what it means to listen to this music today' (p. Vi). Thus the book eschews footnotes throughout in favour of a brief note of 'suggestions for further reading and listening' for each chapter, at the back of the book. There are no music examples either, though the suggested listening does provide a means of following the more detailed musical observations in the text, particularly in the discussion of the roles of singers in chapter 7. Use the simple Search box at the top of the page or the Advanced Search linked from the top of the page to find book and journal content. Refine results with the filtering options on the left side of the Advanced Search page or on your search results page. Click the Browse box to see a selection of books and journals by: Research Area, Titles A-Z, Publisher, Books only, or Journals only. Bach and the German Motet, co-author of An Introduction to Bach Studies, and editor of Bach Studies 7 and J. Bach and the Oratorio Tradition.

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Vocal Forces in Bach's Passions Chapter 7. Singers and Roles in Bach's Passions Part II Passions in Performance Chapter 8. The Double Chorus in the St. Matthew Passion BWV 779 Chapter 9. Which St. John Passion BWV 795? Chapter 5. A St. Mark Passion Makes the Rounds Part III Phantom Passions Chapter 6. Parody and Reconstruction The St. Mark Passion BWV 797 Chapter 7. Bach/Not Bach The Anonymous St.

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