I wasn't really that interested in objects. I was interested in ideas. Sol LeWitt earned a place in the history of art for his leading role in the Conceptual movement. His belief in the artist as a generator of ideas was instrumental in the transition from the modern to the postmodern era. Conceptual art, expounded by LeWitt as an intellectual, pragmatic act, added a new dimension to the artist's role that was distinctly separate from the romantic nature of Abstract Expressionism. LeWitt believed the idea itself could be the work of art, and maintained that, like an architect who creates a blueprint for a building and then turns the project over to a construction crew, an artist should be able to conceive of a work and then either delegate its actual production to others or perhaps even never make it at all.
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LeWitt's work ranged from sculpture, painting, and drawing to almost exclusively conceptual pieces that existed only as ideas or elements of the artistic process itself. Solomon Sol LeWitt was the only child of Russian Jewish parents. His family lived in Hartford, Connecticut until his father, a doctor, died when Sol was six years old. Thereafter, LeWitt and his mother, a nurse, lived with his aunt in New Britain, Connecticut.
Although LeWitt dismissed art-making as something that most of us kids do like, as a young boy he displayed a real proclivity for art and, in particular, for creating humorous drawings. LeWitt recalled that, during one of the classes, his mother had made a spontaneous, black circle and had encouraged him to do the same. Reluctant to fall into an industrial job like many workers in New Britain, LeWitt decided to pursue art as an act of rebellion. However, his mother wanted him to obtain a college degree he ultimately attended Syracuse University as a compromise.
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Initially, LeWitt had difficulty adapting to the formal academic setting and found the curriculum to be overly rigid. During his later years of attendance, however, an infusion of new instructors gave the school a more flexible atmosphere. It was during that later period in his college career that LeWitt was introduced to printmaking. He won a $6555 award for his work in lithography from the Tiffany Foundation, which enabled him to spend time in Europe studying the work of the old masters.
I went on here to review for a test, and it was a complete waste of time. The interpretation of the play is no narrow minded my 65 year old brother could have figured it out. SparkNotes is brought to you by. Visit B N to buy and rent, and check out our award-winning tablets and ereaders, including and.
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